Resources

Panel 1 — Wandering Through Archival Possibility

Parastoo Anoushahpour, Faraz Anoushahpour, and Ryan Ferko

John Akomfrah, “Memory and the Morphologies of Difference,” Politics of Memory: Documentary and Archive, ed. Marco Scotini and Elisabetta Galasso (Berlin: Archive Books, 2016).
Cayley James, “The Gift of Charity: Faraz Anoushahpour, Parastoo Anoushahpour, and Ryan Ferko’s Charity and Surface Rites,” Cinema Scope, issue 89, Winter 2022.
Minh Ngyuen, “A Janus-Faced Story,” for Lovers’ Wind installation at Western Front, 2024.

Luis Jacob

To Speak & Spell When You’re Up Against the Wall (BlackFlash magazine, June 2025, 42.1 – Traces)

Sameer Farooq

Candice Hopkins, “Repatriation Otherwise: How Protocols of Belonging are Shifting the Museological Frame,” Constellations. Indigenous Contemporary Art from the Americas, Museo Universitario Arte Contemporáneo, Mexico City, Mexico, October 2020.
Thich Nhat Hanh, Interbeing: The 14 Mindfulness Trainings of Engaged Buddhism (4th ed.). Parallax Press, 2020.
Kavita Singh, Museums, Heritage, Culture: Into the Conflict Zone. Amsterdam: Reinwardt Academy/Amsterdam University of the Arts, 2015.

Sophie Hackett

Crystal Z Campbell

“99 Years After the Tulsa Race Massacre, an Artist Reflects,” Hyperallergic, 1 June, 2020.
Dorothy Berry, “The House Archives Built,” up//root: a we here publication, 22 June, 2021.
Trinh T Minh-ha, “The Image and the Void,” Journal of Visual Culture, 2015.

Timothy Yanick Hunter

Ben Schwartz, “Boot Boyz Biz,” from Unlicensed: Bootlegging as Creative Practice, Valiz/Source Type, 2024.
Michael E. Veal, “The Politics and Poetics of Erasure: Historical Trauma and the Jamaican Sound Collage,” from Dub: Soundscapes and Shattered Songs in Jamaican Reggae, Wesleyan University Press, 2007.

Dr. Janine Marchessault